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01 Mayday

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02 Overthrow

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03 Euphoria

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04 Dynamite - Boys Noize&Benga

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05 Rock The Bells

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06 2 Live

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07 Would You

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08 Revolt

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09 Starchild - Boys Noize&Poliça

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10 Midnight

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Boys Noize无疑是当今全球电子音乐景致中最闪耀和最具影响力的电音潮流霸主之一。这位来自德国的DJ少年成名,早在十几岁起就已经与众多世界一线音乐人搭档。而如今,Boys Noize的成就早已无人可敌,成为全球首屈一指的电子乐天王。他不仅获得2010年“全球独立音乐大奖”,更从2008年到2010年连续三届获得全球最大舞曲网站Beatport的“年度最佳电子音乐人”冠军头衔。他有着令人耳目一新的音乐理念,从不畏惧开创与创新,以Hip-Hop与Disco的根源,创造出革新的Electro与Techno电子舞曲之声,在全球范围内造就极大影响。无论是在音乐制作上,还是在现场演出中,他都被公认为是全世界最好的电子音乐人。他自己创立的厂牌Boys Noize Records同时也是全球最成功的电子音乐厂牌,旗下包括Housemeister、Djedjotronic、Jan Driver、D.I.M等等数不胜数的超级明星。 by Jason Birchmeier Berlin-based Boys Noize producer Alexander Ridha releases music similar in style to the French electro of Kitsuné Music and Ed Banger Records. He also runs his own label, Boysnoize Records, which features other producers of a similar style, and he is a prolific remixer whose credits include well-known acts such as Bloc Party, Depeche Mode, Feist, and Justice. Born in Hamburg, Germany, Ridha moved to Berlin when he was 21 years old. Chiefly inspired by Daft Punk, he established himself as a talented producer in 2004 with the International Deejay Gigolo Records 12" single The Bomb!/Boy Neu. In 2005 Ridha founded Boysnoize Records and released a pair of Boys Noize 12" singles (Optic/He-Man, Volta 82) on the label, which subsequently featured the work of Einzeller, John Starlight, Eastwest, I-Robots, PUZIQUe, Housemeister, Lady B, Les Petits Pilous, and others. Meanwhile, he produced one-off releases for Anthony Rother's Datapunk label (Are You In?, 2005), Tiga's Turbo label (Erole Attakk, 2006), and Kitsuné Music (Feel Good [TV=Off], 2007). Oi Oi Oi (2007) marked the full-length album debut of Ridha as Boys Noize; Last Gang Records licensed the album for release in North America, along with an EP of remixes, Oi Oi Oi Remixed. A popular Boys Noize remix of Feist's "My Moon My Man" was included as a bonus track on Oi Oi Oi. It was one of several remixes -- most notably Depeche Mode's "Personal Jesus," Bloc Party's "Banquet," and Justice's "Phantom, Pt. 2" -- that helped popularize the Boys Noize brand.

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