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01 a natural alarm clock

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02 the very first palm tree of spring break

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03 waking up on a picnic blanket

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04 gathering sticks for a nest

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05 origami tulips

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06 outside sandwiches

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07 perfectly organized cleaning supplies

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08 a sky full of hot air balloons

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09 sprouts in the cracks in the concrete

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10 wet grass

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Lullatone是来自美日的夫妻二人组 Lullatone是Shawn James Seymour的个人音乐计划。定居于日本名古屋的他崇尚「少即是多」,含蓄简约的音乐风格让人联想到Steve Reich和Erik Satie的作品。Lullatone擅长创作细致精准却不乏童真稚趣的可爱旋律,现场演出常搭配大量定格卡通影像。Seymour自2001年开始采用Lullatone这个代号,先后在电音厂牌Plop、Audio Dregs与Childisc出版个人专辑,作品并散见世界各地厂牌的合辑中,包括日本著名生活家具店Actus的概念合辑,是目前孩子气(Childish)音乐风潮的重要代表! by Margaret Reges The delicate lap-pop project Lullatone came together shortly after Shawn James Seymour moved from his hometown of Louisville, KY, to Nagoya, Japan, with his girlfriend and bandmate, Yoshimi Tomida. The two initially met in an intercultural communications class at the Bellarmine University. At one point during class, the teacher asked the exchange students what they had trouble adjusting to in America. Tomida replied that she was having trouble adjusting to American food, so after class Seymour offered to take her to a local Asian market. They ended up having a picnic, and Seymour moved to Nagoya with her about a year later, where they moved into a tiny apartment. It was there that he was inspired to start writing what he called "tiny songs." Seymour, who didn't sleep much at that time, would stay up late composing and recording lullabies for Tomida, making use of whatever he could get his hands on: xylophones, keyboards, music boxes, sine tones, harps, toy drums, ukuleles, cymbals, shakers, wood blocks, pillows, whispers, heartbeats, bubbles, and, as Seymour put it, "a lot of daydreams." The result was a set of warm, meandering lullabies that came together on Lullatone's 2003 release Computer Recital. Another album, entitled My Petit Melodies, was released soon after that on the Japanese label Childisc. Little Songs About Raindrops, the band's third album, was released in 2005. The new release used a wider array of instrumentation than the previous recordings, featuring Tomida's breathy, childlike vocals and a rich tapestry of organic sounds. 2006's Plays Pajama Pop Pour Vous found Seymour and Tomida continuing their exploration of shimmering, organic tones. 2007's Bedtime Beat followed in the same tradition of cute nighty-night whimsy.

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