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It has been 13 years since Should’s last album proper, the complex shoegaze/postrock haze of 1998′s Feed Like Fishes. While much time has passed, the core elements of Should have not wavered: the ultra-sweet male/female vocal melodies, the penchant for the unexpected, and the ability to find beauty in the minimal. The band’s immaculately crafted third album, “Like a Fire Without Sound”, infuses the pop sensibilities of Eno and Yo La Tengo while maintaining the personal eccentricities and atmospheric flourishes that have always set Should apart.
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