一听音乐网

根据美国女作家诺薇琳恩．普莱丝的回忆录拍摄，描写在三十年代的德州，女教师兼新秀作家普莱丝跟傲慢自大的流行小说作家罗伯特．霍华德产生了一段执迷不悔的爱情。霍华曾写过《王者之剑》等畅销书，成功令他感到困扰。而普莱丝年轻漂亮，个性也独立倔强，两人碰在一起竟产生了电光火石的效果，两个爱好幻想的作家，经常把他们的梦想和真实情况搞乱了。(By 豆瓣)

Hans Zimmer's credit may headline The Whole Wide World, but in truth the score was written by up-and-coming composer Harry Gregson-Williams, who later proclaimed "Hans didn't write any music for [this movie]. In fact, he heard my score for the first time at the premiere." Zimmer's fingerprints are nevertheless smeared all over The Whole Wide World -- bass-heavy synthesizers and bombastic arrangements are just two of his signature moves borrowed wholesale by Gregson-Williams, who also dabbles in a series of melodic contexts spanning from lush romance to epic action to Latin-inspired dance (the idiosyncratic "Sombrero"). Gregson-Williams is nevertheless too much of a novice to command any of these disparate genres with authority, and the result is a score undermined by its disjointed, often haphazard approach.