一听音乐网

Public Enemy恐怕这些年来与垃圾说唱分不开了，不可否认由于理解方式的差异，这些说唱垃圾还会使许多乐迷去迷恋他，那说明Public Enemy还有一定的号召力，因为音乐本身是不拘泥于形式的，所以对于歌坛而言也正是这种表现方式的竞争推动了说唱乐本身的发展。
在这张灌录整整一年左右的唱片《Beats And Places》我看来还是具有一定的可听性，虽然本人不是一个十分热忠于说唱乐的摇滚曲风，便对于这一流派的音乐还是比较能认真深听的，在谈到这张专辑的时候Public Enemy把它描述为一个长而又长永无止境的过程。“我们总是在录音，我们每天进我们自已的录音室录一些声响，谈起我们现在的创作方式得追溯到我们刚接触音乐的时候，那时我们在学着跳舞和说唱，所以我们能接触到两种音乐演奏方式那一代人。
或许只有能认真听取这张《Beats And Places》才能了解到他们的形式，并且会完全了解到Public Enemy的内心世界。

After an impressive resurgence in the early 2000s, the group that brought protest to hip-hop keeps things moving with another strong album, BEATS AND PLACES. The state of 21st century America is an endless source of outrage for Chuck D--as he puts it on "Hell No, We Ain't All right," (a single recorded in the aftermath of Hurricane Katrina), 'We got more issues to talk about.' From hip-hop's hyper-capitalist mentality, ("Air Conditioning") to mass media mind-control, ("Vidiot") to social injustice and corporate greed run amuck ("Sh*t"), Public Enemy's lead vocalist has plenty on his plate. And the presidential vocal samples ("Don't mess with George Dubya") on "Grand Theft Oil" may be the most frighteningly gangsta words heard in some time. DVD Features: Track List 1. Who Your Hero? 2. Electric Slave 3. Bring That Beat Back 4. Revolution 5. Superman's Black In The Building 6. The Hot 1 7. MKLVFKWR 8. Son Of A Bush 9. Revolveilution 10. Gotta Give The Peeps What They Need 11. Do You Wanna Go Our Way??? 12. Brake The Law Confrontation Camp Places (The Documentation) 1. A Look At THe Public Enemy Comic Book 2. The Jet Set Show Comic Interviews