- St. Matthew Passion: No. 63 - Evangelista, Due chori: Und siehe da, der Vorhang im Tempel zerriss
- St. Matthew Passion: No. 62 - Choral: Wenn ich einmal soll scheiden
- St. Matthew Passion: No. 61 - Evangelista, Jesus, Chorus I, Chorus II: Und von der sechsten Stunde an
- St. Matthew Passion: No. 60 - Aria (+ Chor): Sehet, Jesus hat die Hand
- St. Matthew Passion: No. 59 - Recitativo: Ach Golgatha, unselges Golgatha!
- St. Matthew Passion: No. 58 - Evangelista, Choria: Und da sie an die Statte kamen
- St. Matthew Passion: No. 57 - Aria: Komm, suesses Kreuz
- St. Matthew Passion: No. 56 - Recitativo: Ja freilich will in uns das Fleisch und Blut
- St. Matthew Passion: No. 55 - Evangelista: Und da sie ihn verspottet hatten
- St. Matthew Passion: No. 54 - Choral: O Haupt voll Blut und Wunden
- St. Matthew Passion: No. 53 - Evangelista, Chori: Da nahmen die Kriegsknechte
- St. Matthew Passion: No. 52 - Aria: Konnen Tranen meiner Wangen
- St. Matthew Passion: No. 51 - Recitativo: Erbarm es Gott!
- St. Matthew Passion: No. 50 - Evangelista, Pilatus, Chori: Sie schrieen aber noch mehr und sprachen
- St. Matthew Passion: No. 49 - Aria: Aus Liebe will mein Heiland sterben
- St. Matthew Passion: No. 48 - Recitativo: Er hat uns allen wohlgetan
- St. Matthew Passion: No. 47 - Evangelista, Pilatus: Der Landpfleger sagte
- St. Matthew Passion: No. 46 - Choral: Wie wunderbarlich ist doch diese Strafe!
- St. Matthew Passion: No. 45 - Evangelista, Pilatus, Uxor Pilati, Chori: Auf das Fest aber
- St. Matthew Passion: No. 44 - Choral: Befiehl du deine Wege
- St. Matthew Passion: No. 43 - Evangelista, Pilatus, Jesus: Sie hielten aber einen Rat
- St. Matthew Passion: No. 42 - Aria: Gebt mir meinen Jesum wieder!
- St. Matthew Passion: No. 41 - Evangelista, Judas, Chori, Pontifex I, II: Des Morgens aber hielten alle Hohepriester
- St. Matthew Passion: No. 40 - Choral: Bin ich gleich von dir gewichen
- St. Matthew Passion: No. 39 - Aria: Erbarme dich
- St. Matthew Passion: No. 38 - Evangelista, Ancilla I, II, Petrus, Chorus II: Petrus aber sass draussen im Palast
- St. Matthew Passion: No. 37 - Choral: Wer hat dich so geschlagen
- St. Matthew Passion: No. 36 - Evangelista, Pontifex, Jesus, Chori: Und der Hohepriester antwortete
- St. Matthew Passion: No. 35 - Aria: Geduld!
- St. Matthew Passion: No. 34 - Recitativo: Mein Jesus schweigt
- St. Matthew Passion: No. 33 - Evangelista, Testis I, II, Pontifex: Und wiewohl viel falsche Zeugen herzutraten
- St. Matthew Passion: No. 32 - Choral: Mir hat die Welt truglich gericht'
- St. Matthew Passion: No. 31 - Evangelista: Die aber Jesum gegriffen hatten
- St. Matthew Passion: No. 30 - Aria (+ Chor): Ach! nun ist mein Jesus hin!
- Act Two: #14 Aria: Ah se a morir mi chiama
- Act Two: Recitativo - Recitativo accompagnato: Che intesi eterni Dei? - Chi sa, che non sia questa
- Act Two: #13 Aria: D'ogni pietà mi spoglio
- Act Two: Recitativo - Recitativo: Signor, ai cenni tuoi - Silla? L'odiato aspetto
- Act Two: Recitativo accompagnato - #12 Aria: Ah si, scuotasi omai - Nel fortunato istante
- Act Two: #11 Aria: Ah se il crudel periglio
- Act Two: Recitativo - Recitativo accompagnato: Di piegarsi capace - Vanne. T'affretta
- Act Two: #10 Aria: Se il labbro timido
- Act Two: Recitativo: Ah si, s'affretti il colpo
- Act Two: #9 Aria: Quest'improvviso tremito
- Act Two: Recitativo - Recitativo - Recitativo accompagnato - Recitativo
- Act Two: #8 Aria: Guerrier, che d'un acciaro
- Act Two: Recitativo: Tel predissi o signor
- Recitativo accompagnato - Recitativo - #7 Duetto: Se l'empio Silla, o padre - Eccomi, o cara - D'elisio in sen m'attendi
- Flute Quartet In G, K.285a- Tempo Di Menuetto
- Flute Quartet In G, K.285a- Andante
- Flute Quartet In C, K. Suppl. 171- Tema (Andantin.
- Flute Quartet In C, K. Suppl. 171- Allegro
- Flute Quartet In A, K.298- Rondeau (Allegretto Gr.
- Flute Quartet In A, K.298- Menuetto
- Flute Quartet In A, K.298- Tema (Andante) Con Va..
- Flute Quartet In D, K.285- Rondeau
- Flute Quartet In D, K.285- Adagio- (Attacca)
- Flute Quartet In D, K.285- Allegro
- Sonata for Violin and Piano No.10 in G, Op.96 - 4. Poco allegretto
- Sonata for Violin and Piano No.10 in G, Op.96 - 3. Scherzo (Allegro)
- Sonata for Violin and Piano No.10 in G, Op.96 - 2. Adagio espressivo
- Sonata for Violin and Piano No.10 in G, Op.96 - 1. Allegro moderato
- Sonata for Violin and Piano No.9 in A, Op.47 - "Kreutzer" - 3. Finale (Presto)
- Sonata for Violin and Piano No.9 in A, Op.47 - "Kreutzer" - 2. Andante con variazioni
- Sonata for Violin and Piano No.9 in A, Op.47 - "Kreutzer" - 1. Adagio sostenuto - Presto
- Easter Oratorio BWV 249: Choral - Wenn soll es doch geschehen
- Easter Oratorio BWV 249: Aria - Jesu, deine Gnadenblicke
- Easter Oratorio BWV 249: Evangelista - e Ricitativo - Und da sie ihm nachsahen
- Easter Oratorio BWV 249: Choral - Nun leiget alles unter dir
- Easter Oratorio BWV 249: Evangelista - Und ward aufgehaben zusehends
- Easter Oratorio BWV 249: Aria - Ach bleibe doch, mein liebstes Leben
- Easter Oratorio BWV 249: Recitativo - Ach, Jesu, ist dein Abschied schon so nah
- Easter Oratorio BWV 249: Evangelista - Der Herr Jesus hub seine Hande auf
- Easter Oratorio BWV 249: Coro - Lobet Gott in seinen Reichen
- Easter Oratorio BWV 249: Coro - Preis und Dank
- Easter Oratorio BWV 249: Recitativo - Wir sind erfreut
- Easter Oratorio BWV 249: Aria - Saget, saget mit geschwinde
- Easter Oratorio BWV 249: Recitativo - Indessen seufzen wir
- Easter Oratorio BWV 249: Aria - Sanfte soll mein Todeskummer
- Easter Oratorio BWV 249: Recitativo - Hier ist die Gruft
- Easter Oratorio BWV 249: Aria - Seele, deine Sperzereien
- Easter Oratorio BWV 249: Recitativo - O kalter Manner Sinn
- Easter Oratorio BWV 249: Coro - Kommt, eilet und laufet
- Easter Oratorio BWV 249: Adagio
- Easter Oratorio BWV 249: Sinfonia
- Act One - No.12 Quintetto Con Coro - Deh Conservate, Oh Dei
- Act One - No.11 Recitativo Accompagnato - Oh Dei, Che Smania Questa
- Act One - No.10 Terzetto - Vengo... Aspettate... Sesto !...
- Act One - Recitativo - Vedrai, Tito, Vedrai
- Act One - No.9 Aria - Parto, Ma Tu Ben Mio
- Act One - Recitativo - Felice Me !
- Act One - No.8 Aria - Ah, Se Fosse Intorno Al Trono
- Act One - Recitativo - Servilia ! Augusta !
- Act One - No.7 Duetto - Ah Perdona Al Primo Affetto
- Act One - Recitativo - Non Ci Pentiam
- Act One - No.6 Aria - Del PiSublime Soglio
- Act One - Recitativo - Adesso, Oh Sesto, Parla Per Me
- Act One - No.5 Coso - Serbate, Oh Dei Custodi
- Act One - No.4 Marcia
- Act One - Recitativo - Amico, Ecco Il Momento
- Act One - No.2 Aria - Deh Se Piacer Mi Vuoi
- Act One - Recitativo - Amico, Il Passo Affretta
- Act One - No.1 Duetto - Come Ti Piace Imponi
- 02. Act One - Recitativo - Ma Che Sempre L'istesso
- Mozart - Overture
- Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - "O Freunde nicht diese Töne" -
- Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - Allegro assai
- Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile
- Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace
- Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso
- Overture "Leonore No.2", Op.72a
- IV Finale- Presto
- III Allegretto - Maggiore ('Theme russe')
- II Molto Adagio- Si tratta questo pezzo con molto di sentimento
- String Quartet No 8 Op 59 No 2 - I Allegro
- IV 'Theme russe'- Allegro
- III Adagio molto e mesto - attacca-
- II Allegretto vivace e sempre scherzando
- String Quartet No 7 Op 59 No 1 - I Allegro
- Scene from "Vesta's Fire" Hess 115 (1803) to a libretto by Emanuel Schikaneder for vocal quartet and orchestra - "Blick,
- "Es ist vollbracht" WoO97 (1815) Final number from Friedrich Treischke's Singspiel "The Triumphal Arches"
- "Germania" WoO 94 (1814) Final number from Friedrich Treitschkes Singspiel "The Good News" for bass, chorus and orchestr
- Triumphmarsch WoO2a (1813) zu Christoph Kuffners Trauerspiel "Tarpeja" Marcia. Lebhaft und stolz
- Introduction to Act 2 (Entr'acte) WooO2b (proably to Christoph Kuffner's tragedy "Tarppeja") - Alle marcia, ma non tropp
- Two Arias for Ignaz Umlauf's Singspiel "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes" WoO 91 (c.1795) - "S
- Two Arias for Ignaz Umlauf's Singspiel "The Beautiful Shoemaker's Wife, or The Puce-Coloured Shoes" WoO 91 (c.1795) - "O
- "King Stephen or Hungary's First Benefactor", Op.117 - No.9 Schlußchor: "Heil! Heil unsern Enkeln!"
- "King Stephen or Hungary's First Benefactor", Op.117 - No.8 Geistlicher Marsch, Chor und Melodram - Marsch - "